apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Florian result, scenes for legend of St. Florian
Florian result, scenes for legend of St. Florian by Albrecht Altdorfer

plate no. 9037

Florian result, scenes for legend of St. Florian

Albrecht Altdorfer, 1518

oil, woodNorthern Renaissancereligious paintingfigureslandscapearchitectureskybridgecastle
experienced study

Recreating this painting would help students develop skills in rendering complex figures, atmospheric perspective, and detailed architectural elements. It also encourages the study of light and shadow to create depth and realism.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky and the distant castle.

  3. step 03

    Establish the basic values and colors of the figures, paying attention to the light source and shadows.

  4. step 04

    Develop the details of the figures' clothing and armor, using smaller brushes and finer strokes.

  5. step 05

    Add details to the architectural elements, such as the bridge and the buildings in the background.

  6. step 06

    Refine the lighting and shadows throughout the painting, creating a sense of depth and atmosphere.

  7. step 07

    Add final details, such as highlights and textures, to bring the painting to life.

  8. step 08

    Glaze with transparent colors to unify the painting and enhance the color harmony.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · ivory black · sap green

Mix various shades of brown and ochre for the figures and architecture. Use ultramarine blue and white for the sky, adding touches of yellow ochre for highlights. Mix greens from blue and yellow for foliage.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·rendering metal

common pitfalls

  • →overworking details too early
  • →inaccurate proportions of figures
  • →muddying colors with excessive mixing
  • →failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium red, ivory black, sap green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley