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home·artworks·Flagellation of Christ
Flagellation of Christ by Jerg Ratgeb

plate no. 8432

Flagellation of Christ

Jerg Ratgeb, 1519

wood, tempera, oilNorthern Renaissancereligious paintingfiguresarchitecturereligious scenecolumnscrowdinterior
advanced study

Recreating this painting will help students develop skills in figure drawing, complex composition, and rendering architectural details. It will also improve their understanding of color mixing to achieve realistic skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed preliminary sketch, paying close attention to the placement and proportions of the figures and architectural elements.

  2. step 02

    Transfer the sketch to the painting surface.

  3. step 03

    Begin by blocking in the main shapes and colors of the background architecture, establishing the overall perspective.

  4. step 04

    Move on to the figures, starting with the underpainting to define the forms and values.

  5. step 05

    Gradually build up the colors and details of the figures, focusing on accurate skin tones and fabric textures.

  6. step 06

    Add the details of the architectural elements, such as the columns and railings.

  7. step 07

    Refine the lighting and shadows to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ochre · red · white · green

secondary · blue · brown · grey · gold

Achieve realistic skin tones by mixing ochre, red, white, and small amounts of blue or green. Use glazes of transparent colors to create depth and luminosity in the fabrics.

techniques

  • ·figure drawing
  • ·glazing
  • ·underpainting
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures.
  • →Overly saturated colors.
  • →Lack of depth and dimension.
  • →Inaccurate perspective.

materials

surface · Linen panel prepared with gesso

required

  • ·Tempera paints
  • ·Oil paints
  • ·Linen panel
  • ·Gesso
  • ·Fine detail brushes
  • ·Medium-sized flat brushes
  • ·Palette
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Retouch varnish
  • ·Easel

Use high-quality pigments for best results. Tempera is used for the underpainting and oil paints for the final layers.

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oil painting for beginners →how to learn by studying the masters →
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