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Feeding the ducks by Eugene de Blaas

plate no. 2280

Feeding the ducks

Eugene de Blaas, 1874

oil, panelAcademicismgenre paintingfigureswaterducksbuildingslandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures in natural light and creating realistic water reflections. It also offers practice in depicting textures like fabric and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, buildings, and water line.

  2. step 02

    Establish the main color blocks for the sky, buildings, grass, and water with thin washes.

  3. step 03

    Begin adding details to the figures, starting with the skin tones and then moving to the clothing.

  4. step 04

    Develop the background elements, paying attention to the subtle color variations in the grass and buildings.

  5. step 05

    Create the water reflections by mirroring the colors and shapes of the objects above.

  6. step 06

    Add the ducks, focusing on their form and the way they interact with the water.

  7. step 07

    Refine the details, such as the facial features, folds in the fabric, and textures in the grass.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · burnt sienna · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. The water color is a mix of blue, white, and umber. Mix the greens for the grass with yellow ochre, blue, and a touch of burnt sienna.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overmixing colors resulting in muddy tones.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in details before establishing the overall composition.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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