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home·artworks·Feeding the doves
Feeding the doves by Émile Munier

plate no. 4874

Feeding the doves

Émile Munier, 1890

oilAcademicismgenre paintingfiguredoveschickenfencelandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones, creating soft transitions, and capturing the texture of fabric and foliage. It also offers practice in depicting animal forms in motion.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, fence, and birds.

  2. step 02

    Establish the background with broad strokes, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and gesture.

  4. step 04

    Begin layering skin tones, using subtle variations in color to create form and volume.

  5. step 05

    Develop the details of the clothing, capturing the folds and textures of the fabric.

  6. step 06

    Paint the doves, focusing on their anatomy and the movement of their wings.

  7. step 07

    Add the details of the fence and surrounding foliage, using a variety of brushstrokes to create texture.

  8. step 08

    Refine the overall painting, paying attention to the balance of light and shadow.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red light · sap green

Mix skin tones using white, yellow ochre, cadmium red, and a touch of blue or umber for shadows. Achieve the soft greens of the foliage by mixing yellow ochre, sap green, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Neglecting the details of the background, resulting in a lack of depth.
  • →Making the birds appear static or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Raw umber oil paint
  • ·Ivory black oil paint
  • ·Ultramarine blue oil paint
  • ·Cadmium red light oil paint
  • ·#2 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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