
plate no. 1516
Students would develop advanced skills in pastel blending techniques and portrait anatomy, particularly learning to render realistic skin tones and fabric textures with subtle color transitions.
technical profile
approach — 8 steps
Create initial sketch focusing on proportional accuracy of facial features and head placement
Establish the darkest values in the background and clothing shadows
Block in mid-tone flesh colors across the face and hands
Develop the powdered wig using layered grays and whites with directional strokes
Refine facial features with careful attention to eye placement and nostril definition
Add subtle color variations to cheeks, nose, and forehead for dimension
Render the white collar and clothing details with crisp edges
Final blending and softening of transitions, especially around the hairline
color palette
primary · burnt sienna · raw umber · titanium white · ivory black
secondary · cadmium red light · yellow ochre · ultramarine blue · violet gray
Flesh tones achieved by mixing white with small amounts of burnt sienna, yellow ochre, and touches of cadmium red. Cool shadows use raw umber mixed with ultramarine blue.
techniques
common pitfalls
surface · toned pastel paper 18x24 inches, medium tooth
required
optional
Toned paper helps establish mid-values quickly. Work in thin layers to preserve paper tooth for blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein

Louis XV, King of France
Charles-Andre van Loo (Carle van Loo)

William James
Joshua Reynolds

Wooded Landscape with Gypsies, Evening
George Lambert

Head of a Scholar
Giovanni Domenico Tiepolo

Gentleman and Wife
William Williams

Portrait of Antoine Watteau
Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV
Jean-Étienne Liotard

Mr. John Williams
Benjamin West