apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fast asleep
Fast asleep by Léon Bazile Perrault

plate no. 4965

Fast asleep

Léon Bazile Perrault, 1896

oilAcademicismgenre paintingfigurechildrenlandscapetreesgrassclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing soft, natural light. It also provides practice in depicting figures in a relaxed and natural pose.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with broad strokes of warm browns and greens, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin refining the skin tones, using a limited palette of warm and cool colors to create a sense of realism.

  5. step 05

    Add details to the clothing and hair, using small brushstrokes to create texture and interest.

  6. step 06

    Paint the apple and the blanket, paying attention to the folds and shadows.

  7. step 07

    Refine the background, adding details such as leaves and branches.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · raw umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red light · burnt sienna · sap green

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue and burnt sienna to create a range of browns and grays for the shadows.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the skin tones, resulting in a flat and lifeless appearance.
  • →Failing to capture the subtle variations in light and shadow.
  • →Getting the proportions of the figures wrong.
  • →Using colors that are too saturated, resulting in an unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus