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home·artworks·Far Away Thoughts
Far Away Thoughts by Eugene de Blaas

plate no. 8846

Far Away Thoughts

Eugene de Blaas

oil, canvasAcademicismgenre paintingfigurearchitecturelandscapebirdsskywater
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and creating depth through atmospheric perspective. The painting also provides practice in depicting complex textures like brick and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the architectural elements.

  2. step 02

    Establish the main value ranges with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the figure, architecture, and landscape.

  4. step 04

    Begin refining the details of the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Develop the textures of the brick and fabric using layering and glazing techniques.

  6. step 06

    Paint the landscape in the background, focusing on creating atmospheric perspective.

  7. step 07

    Add the birds, paying attention to their size and placement to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · burnt umber · titanium white · ivory black · yellow ochre

secondary · cadmium red · ultramarine blue

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use burnt umber and ivory black for the dark areas of the architecture and clothing. Mix ultramarine blue with white for the sky.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details in the face.
  • →Failing to create a sense of depth in the landscape.
  • →Making the colors too saturated.
  • →Not paying attention to the subtle shifts in value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and glazing.

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