apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Family Games
Family Games by Giovanni Battista Torriglia

plate no. 8108

Family Games

Giovanni Battista Torriglia

oilRomanticismgenre paintingfiguresinteriorfamilybirdcagecatwindow
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as understanding atmospheric perspective in an interior setting. It also provides practice in creating a focal point within a busy composition.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and major objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main color areas for the figures, clothing, and background.

  4. step 04

    Develop the light and shadow on the figures, paying attention to the direction of light from the window.

  5. step 05

    Refine the details of the faces and hands, capturing the expressions of the figures.

  6. step 06

    Add details to the background objects, such as the birdcage, baskets, and pottery.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to enhance the realism of the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · raw sienna · ivory black

Achieve the warm, muted tones by mixing burnt umber with yellow ochre and titanium white. Use ultramarine blue sparingly to create cool shadows and subtle variations in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering drapery
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early without establishing the overall value structure.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to capture the correct proportions and anatomy of the figures.
  • →Ignoring the subtle color variations and atmospheric perspective in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke