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home·artworks·Extinction of Useless Lights
Extinction of Useless Lights by Yves Tanguy

plate no. 7106

Extinction of Useless Lights

Yves Tanguy, 1927

oilSurrealismlandscapelandscapeskyfiguresabstract formssmokefield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing rendering abstract forms with light and shadow. It also encourages experimentation with surrealist composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line and major forms.

  2. step 02

    Block in the sky with a gradient of blues and grays, blending smoothly.

  3. step 03

    Establish the base color of the field using a mix of browns and ochres.

  4. step 04

    Add the tall, dark structure on the left, paying attention to its irregular shape and internal highlights.

  5. step 05

    Paint the abstract figures in the foreground and midground, using a limited palette of reds, browns, and whites.

  6. step 06

    Add the details of the field, using small brushstrokes to create the texture of the grass.

  7. step 07

    Paint the ethereal elements in the sky, such as the clouds and floating objects, with soft, blended edges.

  8. step 08

    Refine the details and add any final highlights or shadows.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · cadmium red · yellow ochre

Achieve the muted tones by mixing complementary colors and adding white. The sky requires careful blending of blues and grays. The field is built up with layers of browns and ochres.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Overworking the details in the field, leading to a cluttered appearance.
  • →Using colors that are too saturated, which will detract from the painting's muted atmosphere.
  • →Failing to create a sense of depth in the sky and field.
  • →Inaccurate rendering of the abstract forms, making them appear flat or unconvincing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small and medium)
  • ·flat brushes (small and medium)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·retarder medium
  • ·easel

A smooth canvas surface will be helpful for blending the sky. Use good quality paints for better color mixing and longevity.

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