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home·artworks·Expulsion of the Merchants from the Temple
Expulsion of the Merchants from the Temple by Jacopo Bassano

plate no. 8312

Expulsion of the Merchants from the Temple

Jacopo Bassano, 1568

oilMannerism (Late Renaissance)religious paintingfigurestempleanimalsarchitecturecrowdreligious scene
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and animals, as well as understanding dramatic lighting and composition in a historical context. It also requires careful observation of anatomy and drapery.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and forms with broad strokes, focusing on value relationships.

  3. step 03

    Establish the light source and begin to define areas of light and shadow.

  4. step 04

    Develop the figures, paying attention to anatomy, drapery, and facial expressions.

  5. step 05

    Add details to the architectural elements, such as columns and arches.

  6. step 06

    Introduce the animals, focusing on their forms and textures.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · red ochre · yellow ochre · ultramarine blue · cadmium red

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and small amounts of red and yellow ochre. Use ivory black and titanium white to create a range of values for shadows and highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a strong sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the initial strokes.
  • →Inaccurate proportions and anatomical errors in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, red ochre, yellow ochre, ultramarine blue, cadmium red)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·dammar varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to create a warm underpainting.

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