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home·artworks·Expulsion of merchants from the temple
Expulsion of merchants from the temple by Alexander Ivanov

plate no. 7547

Expulsion of merchants from the temple

Alexander Ivanov, 1824

oilAcademicismsketch and studyfigurestemplecolumnscrowdarchitecturedrapery
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and creating depth through layering and atmospheric perspective. It also provides practice in using a limited color palette to create a cohesive and expressive artwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: the temple columns, the central figure, and the general placement of the crowd.

  2. step 02

    Establish the basic values with a diluted wash of a warm neutral tone (e.g., raw sienna).

  3. step 03

    Define the darker areas of the columns and figures with a slightly more concentrated wash.

  4. step 04

    Introduce the blue for the sky and the drapery, keeping the application loose and transparent.

  5. step 05

    Add details to the figures, focusing on the central figure's expression and pose.

  6. step 06

    Refine the shadows and highlights to create depth and dimension.

  7. step 07

    Use dry brush techniques to add texture to the columns and the ground.

  8. step 08

    Add final details and adjust values as needed to achieve the desired effect.

color palette

primary · raw sienna · ultramarine blue · burnt umber

secondary · alizarin crimson · yellow ochre

Achieve the various earth tones by mixing raw sienna with burnt umber and small amounts of blue or crimson. The blue is used pure for the sky and drapery, but can be muted with a touch of sienna for shadows.

techniques

  • ·wash
  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Losing the sense of transparency and luminosity.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve a variety of effects.

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