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home·artworks·Evklidi Megaren
Evklidi Megaren by Justus van Gent

plate no. 3398

Evklidi Megaren

Justus van Gent, 1476

oilNorthern Renaissanceportraitfigureportraitbookcompassrobebeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict drapery and folds in clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and the main shapes (head, body, book).

  2. step 02

    Establish the basic background and the planes of the architectural elements.

  3. step 03

    Block in the main color areas of the robe, tunic, and skin, focusing on the overall value structure.

  4. step 04

    Start building up the details in the face, paying close attention to the subtle shifts in color and value.

  5. step 05

    Develop the folds and shadows in the drapery, using layering and glazing techniques to create depth.

  6. step 06

    Add details to the hands and the compass, ensuring accurate proportions and rendering.

  7. step 07

    Refine the background and architectural elements, adding subtle details and textures.

  8. step 08

    Apply final glazes to unify the painting and enhance the overall color harmony.

color palette

primary · red ochre · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ivory black · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red ochre. Use raw umber and ivory black for shadows. Create variations in the robe by glazing with burnt sienna and red ochre.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·layering
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the color palette and losing the subtle nuances.
  • →Applying the paint too thickly, resulting in a muddy appearance.
  • →Ignoring the importance of accurate value relationships.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red ochre, yellow ochre, raw umber, burnt sienna, ivory black, titanium white)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Mahogany panel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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