apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Evening Scene at Ishiyama Temple
Evening Scene at Ishiyama Temple by Ito Shinsui

plate no. 7801

Evening Scene at Ishiyama Temple

Ito Shinsui, 1917

oilUkiyo-elandscapetemplemoontreesnightlandscapearchitecture
some experience helpful

Recreating this painting will help students understand layering techniques to create depth and practice rendering subtle gradations of color to depict a night scene. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the temple structure, the tree, the moon, and the rocks.

  2. step 02

    Establish the gradient background by layering blues, starting with the lightest at the top and gradually darkening towards the bottom.

  3. step 03

    Paint the moon with a soft, diffused glow, blending the edges.

  4. step 04

    Block in the dark shapes of the temple and tree, paying attention to their overall forms.

  5. step 05

    Add details to the temple roof and structure, using darker values to create shadows and depth.

  6. step 06

    Refine the tree branches and foliage, suggesting texture with subtle variations in tone.

  7. step 07

    Add the small stars with tiny dots of white or light blue.

  8. step 08

    Make final adjustments to the values and details to enhance the overall atmosphere.

color palette

primary · Prussian Blue · Ultramarine Blue · White

secondary · Black · Payne's Gray · Yellow Ochre

Mix different shades of blue by adding white for lighter tones and black or Payne's Gray for darker tones. Use yellow ochre sparingly to create a subtle glow around the moon.

techniques

  • ·Layering
  • ·Blending
  • ·Value studies
  • ·Dry brushing

common pitfalls

  • →Overworking the details too early.
  • →Creating harsh lines instead of soft transitions.
  • →Making the moon too bright and overpowering.
  • →Not establishing a clear value structure.

materials

surface · Stretched canvas or watercolor paper 140lb

required

  • ·Canvas or watercolor paper
  • ·Acrylic or watercolor paints
  • ·Round brushes (various sizes)
  • ·Flat brush
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Palette knife
  • ·Blending medium
  • ·Ruler

Using a limited palette will help to create a harmonious and unified color scheme. Consider using a toned canvas to simplify the initial stages.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada