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home·artworks·Evening Prayer in Tangiers
Evening Prayer in Tangiers by Jean Lecomte du Nouÿ

plate no. 0535

Evening Prayer in Tangiers

Jean Lecomte du Nouÿ, 1879

canvas, oilAcademicismgenre paintingfigurearchitecturecityscapeseaskyclothing
experienced study

Recreating this painting will help students develop skills in rendering realistic figures with drapery, and in creating atmospheric perspective to depict depth in a cityscape. It also provides practice in capturing the subtle variations in light and shadow on different surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the details of the figures, paying attention to the folds and shadows in the clothing.

  4. step 04

    Develop the background cityscape, using lighter values and softer edges to create atmospheric perspective.

  5. step 05

    Add details to the architecture, such as windows and decorative elements.

  6. step 06

    Refine the details of the faces and hands, paying attention to the light and shadow.

  7. step 07

    Add the final details, such as the book, the gun, the rug, and the shoes.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of brown and gray by combining burnt umber, raw sienna, ultramarine blue, and titanium white. Add small amounts of cadmium red or yellow ochre to warm up the colors. Use ivory black sparingly to darken the colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →getting the proportions of the figures wrong
  • →overworking the details
  • →not creating enough atmospheric perspective
  • →using too much black
  • →not paying attention to the light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A variety of brush sizes will be helpful for creating different effects.

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