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home·artworks·Evacuation of the Pyrenees
Evacuation of the Pyrenees by Vela Zanetti

plate no. 3226

Evacuation of the Pyrenees

Vela Zanetti, 1941

oilMuralismgenre paintingvillagesnowmountainsfiguresbuildingstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in using a limited color palette to create a cohesive and moody atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, mountains, and figures.

  2. step 02

    Establish the horizon line and the perspective of the village street.

  3. step 03

    Block in the large shapes of the mountains and buildings with diluted washes of color.

  4. step 04

    Add the darker values to define the shadows and create depth.

  5. step 05

    Begin to add details to the buildings, such as windows and doors, using a smaller brush.

  6. step 06

    Paint the figures in the foreground, paying attention to their relative sizes and positions.

  7. step 07

    Add the snow details and highlights to the roofs and ground.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · raw sienna · ivory black

Mix blues and umbers with white to create the cool tones of the sky and snow. Use raw sienna and burnt umber to add warmth to the buildings.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies
  • ·limited palette

common pitfalls

  • →Failing to establish a clear sense of perspective.
  • →Overworking the details and losing the overall atmosphere.
  • →Using too many colors and creating a disjointed effect.
  • →Not paying attention to the values and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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