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home·artworks·Entry of Jean Le Bon in Paris
Entry of Jean Le Bon in Paris by Jean Fouquet

plate no. 0938

Entry of Jean Le Bon in Paris

Jean Fouquet, 1460

oilNorthern Renaissancehistory paintingfigureshorsesarchitecturecityscapeprocessionflags
experienced study

Recreating this painting will help students develop skills in rendering figures and horses in procession, as well as creating a sense of depth and perspective in a cityscape. It also provides an opportunity to study color mixing and application techniques used in Northern Renaissance art.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main compositional elements: buildings, figures, and horses.

  2. step 02

    Establish the basic color blocks for the background, including the sky and buildings.

  3. step 03

    Begin layering in the darker tones to define the architecture and create depth.

  4. step 04

    Paint the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Focus on the drapery and clothing, paying attention to the folds and highlights.

  6. step 06

    Add the horses, using a combination of light and dark tones to create form.

  7. step 07

    Paint the flags and other details, such as the crowns and scepters.

  8. step 08

    Refine the details and add any final touches.

color palette

primary · ultramarine blue · red ochre · ivory black · titanium white

secondary · yellow ochre · burnt umber · cadmium red light

Mix ultramarine blue and ivory black to create the darker blues for the royal robes. Use red ochre and burnt umber for the horses and architecture. Mix titanium white with small amounts of other colors to create highlights.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·hatching

common pitfalls

  • →overworking details too early
  • →inaccurate proportions of figures and horses
  • →muddying colors by overmixing
  • →failing to establish a clear light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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