
plate no. 0938
Jean Fouquet, 1460
Recreating this painting will help students develop skills in rendering figures and horses in procession, as well as creating a sense of depth and perspective in a cityscape. It also provides an opportunity to study color mixing and application techniques used in Northern Renaissance art.
technical profile
approach — 8 steps
Lightly sketch the main compositional elements: buildings, figures, and horses.
Establish the basic color blocks for the background, including the sky and buildings.
Begin layering in the darker tones to define the architecture and create depth.
Paint the figures, starting with the larger shapes and gradually adding details.
Focus on the drapery and clothing, paying attention to the folds and highlights.
Add the horses, using a combination of light and dark tones to create form.
Paint the flags and other details, such as the crowns and scepters.
Refine the details and add any final touches.
color palette
primary · ultramarine blue · red ochre · ivory black · titanium white
secondary · yellow ochre · burnt umber · cadmium red light
Mix ultramarine blue and ivory black to create the darker blues for the royal robes. Use red ochre and burnt umber for the horses and architecture. Mix titanium white with small amounts of other colors to create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality paints for best results. Consider using a toned canvas to create a warmer base.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley