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home·artworks·Entry of Emperor Charles IV in Cambrai
Entry of Emperor Charles IV in Cambrai by Jean Fouquet

plate no. 1014

Entry of Emperor Charles IV in Cambrai

Jean Fouquet, 1460

oilNorthern Renaissancehistory paintingfigureshorsescityscapecastleprocessionarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, especially horses, and understanding how to create depth through atmospheric perspective. It also provides practice in rendering details in clothing and architecture.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, figures, and horses, paying attention to proportions and placement.

  2. step 02

    Establish the horizon line and the overall composition, ensuring the figures are correctly positioned in relation to the architecture.

  3. step 03

    Begin blocking in the main colors of the sky, buildings, and ground, using thin washes.

  4. step 04

    Add the base colors for the figures and horses, focusing on the larger areas of color.

  5. step 05

    Start layering in details on the buildings, such as windows, stonework, and architectural features.

  6. step 06

    Refine the figures, adding details to their clothing, faces, and accessories.

  7. step 07

    Add highlights and shadows to create depth and dimension, paying attention to the light source.

  8. step 08

    Finish with fine details, such as the horses' harnesses, facial features, and the textures of the clothing.

color palette

primary · cerulean blue · crimson red · ivory black · yellow ochre

secondary · ultramarine blue · raw umber · titanium white

Mix various shades of grey for the castle walls by combining black, white, and a touch of blue or brown. Achieve the red hues by mixing crimson with yellow ochre for warmer tones and a touch of black for shadows.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering

common pitfalls

  • →Getting the proportions of the figures and horses wrong.
  • →Making the colors too saturated and bright.
  • →Losing the sense of depth and perspective.
  • →Overworking the details and making the painting look cluttered.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife
  • ·water container
  • ·soft cloth

optional

  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. Consider using a gessoed canvas for a smoother surface.

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oil painting for beginners →how to learn by studying the masters →
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