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home·artworks·Entombment
Entombment by Carl Wenig

plate no. 5128

Entombment

Carl Wenig, 1859

oilAcademicismreligious paintingfiguresreligious scenelandscapeskydraperymourning
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and subtle color blending to create realistic skin tones and drapery folds. It also provides practice in creating a complex composition with multiple figures and emotional expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones using layers of subtle color mixtures, paying attention to highlights and shadows.

  4. step 04

    Develop the drapery folds and textures, using a combination of blending and scumbling techniques.

  5. step 05

    Refine the facial features and expressions of each figure.

  6. step 06

    Add details to the background landscape and sky.

  7. step 07

    Glaze over areas to unify the colors and create depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create shadows with ultramarine blue and burnt umber. Muted greens are created with yellow ochre and ultramarine blue.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·color blending

common pitfalls

  • →Incorrect proportions of the figures
  • →Muddy skin tones
  • →Overly harsh or flat lighting
  • →Lack of emotional expression
  • →Ignoring the subtle color variations in the drapery

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 filbert brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing. Work in thin layers to achieve depth and luminosity.

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oil painting for beginners →how to learn by studying the masters →
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