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home·artworks·Enthronement of the Virgin or, The Trinity in its Glory
Enthronement of the Virgin or, The Trinity in its Glory by Jean Fouquet

plate no. 5584

Enthronement of the Virgin or, The Trinity in its Glory

Jean Fouquet, 1445

vellumNorthern Renaissancereligious paintingfiguresreligious scenethronearchitecturecrowdangels
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, and understanding how to create depth and perspective using color and value.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Block in the large areas of color, starting with the background and the sky.

  3. step 03

    Begin to define the figures, paying attention to the drapery and the folds in their clothing.

  4. step 04

    Add details to the faces and hands of the figures.

  5. step 05

    Refine the architectural elements, adding details to the throne and the building in the background.

  6. step 06

    Work on the details of the crowd, simplifying the forms and using variations in color to create depth.

  7. step 07

    Add highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Make final adjustments to the colors and values to create a harmonious and balanced composition.

color palette

primary · ultramarine blue · red ochre · ivory black · titanium white

secondary · yellow ochre · burnt umber · cadmium red light

Mix different shades of blue by adding white or black to ultramarine. Create earthy tones by mixing red ochre, yellow ochre, and burnt umber. Achieve the off-white robes by mixing titanium white with a touch of yellow ochre and burnt umber.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition.
  • →Using colors that are too saturated, resulting in a garish and unnatural look.
  • →Failing to create enough contrast between the light and dark areas, resulting in a flat and lifeless image.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·ultramarine blue acrylic paint
  • ·red ochre acrylic paint
  • ·ivory black acrylic paint
  • ·titanium white acrylic paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. A smooth canvas surface will make it easier to achieve the desired level of detail.

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