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home·artworks·Electric Madonna
Electric Madonna by M. H. Maxy

plate no. 7688

Electric Madonna

M. H. Maxy, 1926

oilCubismportraitportraitfigurecubismabstractwomangeometric
some experience helpful

Recreating this painting will help students understand how to break down complex forms into geometric shapes and use color to define planes and create depth. Students will also learn about applying paint in distinct, visible brushstrokes to build texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic geometric shapes and lines that define the figure and background.

  2. step 02

    Block in the large areas of color, focusing on the overall value and hue of each plane.

  3. step 03

    Gradually refine the shapes and colors, adding subtle variations and details within each plane.

  4. step 04

    Use thicker paint and more visible brushstrokes to add texture and definition to key areas, like the face and hair.

  5. step 05

    Pay close attention to the edges of each shape, varying the sharpness and softness to create depth and interest.

  6. step 06

    Add the small details, such as the lines in the hair and the subtle highlights on the face.

  7. step 07

    Review the painting and make any necessary adjustments to the colors, values, and shapes.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red · yellow · green · black

secondary · blue · purple · orange

Mix various shades of red, yellow, and green by adding white, black, or complementary colors. Achieve the skin tones by mixing yellow, red, and a touch of green.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·visible brushstrokes
  • ·layering
  • ·edge control

common pitfalls

  • →Oversimplifying the shapes and losing the likeness of the figure.
  • →Blending colors too much and creating a muddy effect.
  • →Ignoring the subtle value changes within each plane.
  • →Making the edges too uniform and flat.
  • →Not capturing the energy and dynamism of the original painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for better paint adhesion and texture. Consider using a palette knife for applying thicker paint and creating more visible brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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