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home·artworks·Ekaterina Vorontsova
Ekaterina Vorontsova by Dmitry Levitzky

plate no. 2109

Ekaterina Vorontsova

Dmitry Levitzky, 1789

oilRococoportraitportraitfiguredressribbonhairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle color blending for skin tones. It also offers practice in rendering fabric and lace details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the background color with a thin wash of muted green and brown.

  3. step 03

    Block in the main areas of the face with light flesh tones, paying attention to the highlights and shadows.

  4. step 04

    Begin layering and blending the skin tones, gradually building up the form of the face.

  5. step 05

    Paint the dress with a base color of off-white, then add highlights and shadows to create the folds and drapery.

  6. step 06

    Carefully render the lace details around the neckline, using a fine brush and light, delicate strokes.

  7. step 07

    Add the ribbon in the hair and around the waist, using a slightly brighter shade of blue-green.

  8. step 08

    Refine the details of the hair and facial features, and make any necessary adjustments to the overall composition.

color palette

primary · titanium white · yellow ochre · raw umber · cadmium red light

secondary · viridian · ultramarine blue · ivory black

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The background is a mix of raw umber, viridian, and white. The dress is primarily white with subtle variations of yellow ochre and raw umber.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering lace

common pitfalls

  • →Inaccurate proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of subtle variations in color and value.
  • →Getting lost in the details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Raw umber oil paint
  • ·Cadmium red light oil paint
  • ·Viridian oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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