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home·artworks·Egyptian Temple
Egyptian Temple by Charles Gleyre

plate no. 5001

Egyptian Temple

Charles Gleyre, 1840

oil, canvasAcademicismlandscaperuinsarchitecturedesertskylandscapecolumns
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict form through light and shadow. It also provides practice in rendering architectural details and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the ruins and the horizon line.

  2. step 02

    Block in the sky with a thin layer of blue, creating a slight gradient from top to bottom.

  3. step 03

    Establish the base color for the ground and distant hills, using a mix of browns and yellows.

  4. step 04

    Begin to define the forms of the ruins with darker shadows and lighter highlights, paying attention to the direction of the light.

  5. step 05

    Add details to the ruins, such as the texture of the stone and the hieroglyphics.

  6. step 06

    Refine the shadows and highlights on the ground and the surrounding rocks.

  7. step 07

    Add small details like the figures in the background to enhance the sense of scale.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · raw sienna · cadmium yellow light

Mix ultramarine blue with white for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and yellow ochre in varying proportions to create the different shades of brown and tan for the ruins and the ground. Add white to lighten these mixtures for highlights.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the ruins wrong.
  • →Making the colors too saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details and losing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a pre-toned canvas with a warm underpainting to save time.

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oil painting for beginners →how to learn by studying the masters →
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