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home·artworks·Edward, Duke of York
Edward, Duke of York by Pompeo Batoni

plate no. 0300

Edward, Duke of York

Pompeo Batoni, 1764

oil, canvasRococoportraitfigureportraitcolumnarchitecturedraperyclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures and details. It also provides practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure, column, and background elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Refine the shapes and details of the face, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, including the folds, buttons, and trim.

  5. step 05

    Add the background elements, such as the column, drapery, and architectural ruins.

  6. step 06

    Refine the edges and transitions between the different areas of the painting.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Glaze with thin layers to adjust color and value as needed.

color palette

primary · ultramarine blue · ivory black · titanium white · yellow ochre

secondary · burnt umber · cadmium red light · raw sienna · cerulean blue

Achieve the subtle skin tones by mixing white, yellow ochre, and a touch of red. The blue coat is a mix of ultramarine blue and ivory black, lightened with white. The gold trim is achieved with yellow ochre, burnt umber, and touches of red.

techniques

  • ·portraiture
  • ·glazing
  • ·rendering fabric
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or muddy colors
  • →Lack of attention to detail in the clothing and background
  • →Ignoring the subtle value changes in the face
  • →Getting lost in the details too early

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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