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home·artworks·Eduardo Zamacois Y Zabala
Eduardo Zamacois Y Zabala by Raimundo de Madrazo

plate no. 8703

Eduardo Zamacois Y Zabala

Raimundo de Madrazo, 1864

oil, canvasAcademicismportraitportraitmanclothinghatbeardface
some experience helpful

This painting is a good exercise in portraiture, focusing on capturing likeness and subtle skin tones. Recreating it will help students develop skills in blending, value control, and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head, shoulders, and hat.

  2. step 02

    Establish the darkest and lightest values in the background and clothing.

  3. step 03

    Block in the main skin tones, focusing on the overall color and value relationships.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Add details to the beard and hair, using small brushstrokes to create texture.

  6. step 06

    Paint the red hat, capturing its form and the subtle variations in color.

  7. step 07

    Refine the clothing and background, adding details and adjusting values as needed.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · yellow ochre · raw sienna · ultramarine blue

Mix skin tones using white, red, yellow ochre, and a touch of umber or blue for shadows. Achieve the red hat color by mixing cadmium red with a touch of umber for darker areas and white for highlights. The background is a mix of black, umber, and a touch of blue.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Making the skin tones too flat or lifeless.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, burnt umber, cadmium red light, titanium white, yellow ochre, raw sienna, ultramarine blue)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. A toned canvas (burnt umber wash) can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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