apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ecstasy of the lillies
Ecstasy of the lillies by Octavio Ocampo

plate no. 5273

Ecstasy of the lillies

Octavio Ocampo

oilSurrealismportraitflowerscalla liliesportraitfacefoliagesurreal
some experience helpful

This painting helps develop skills in blending subtle color variations and creating smooth gradations to represent form. It also encourages careful observation of shapes and negative space to create a cohesive composition.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the flowers and the implied face, paying attention to proportions and placement.

  2. step 02

    Block in the background with a base layer of blue, varying the tones slightly.

  3. step 03

    Begin layering the white petals of the lilies, starting with the darkest shadows and gradually adding highlights.

  4. step 04

    Mix and apply the yellow hues for the flower interiors, blending smoothly.

  5. step 05

    Paint the foliage in the background, using darker blues and greens to create depth.

  6. step 06

    Refine the details of the face, focusing on the subtle curves and shadows that define the features.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the flowers.

  8. step 08

    Review and adjust the overall composition, ensuring that the colors and values are balanced.

color palette

primary · ultramarine blue · titanium white · cadmium yellow light

secondary · sap green · ivory black · raw umber

Mix white with small amounts of blue, yellow, and umber to create the subtle variations in the white petals. Use ultramarine blue and ivory black to create the darker shades of the background foliage.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·color mixing
  • ·negative space

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create smooth transitions between colors.
  • →Ignoring the importance of negative space in defining the shapes.
  • →Not paying close enough attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte