apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ecstasy of Linked Circles
Ecstasy of Linked Circles by Takato Yamamoto

plate no. 0670

Ecstasy of Linked Circles

Takato Yamamoto, 2015

oilUkiyo-eillustrationfigureskeletonrosearrowcirclehair
advanced study

Recreating this painting will help students develop skills in detailed linework, rendering complex organic forms, and creating a cohesive composition with multiple elements. It also provides practice in color mixing to achieve subtle variations in tone and texture.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key elements (circle, figure, skeleton).

  2. step 02

    Refine the sketch, adding details to the skeleton, figure's face, and surrounding organic forms.

  3. step 03

    Apply a base layer of light, neutral tones to the skeleton and organic matter.

  4. step 04

    Build up layers of shading and detail using darker browns and grays, focusing on creating depth and texture.

  5. step 05

    Paint the figure's hair and clothing, paying attention to the flow and folds.

  6. step 06

    Add the rose and arrow, using reds and greens to create contrast.

  7. step 07

    Paint the circles with precise lines and fill in the background with black.

  8. step 08

    Add final details and highlights to enhance the overall realism and visual impact.

color palette

primary · ivory · black · burnt umber

secondary · red · gray · gold

Achieve the bone and organic matter colors by mixing ivory with small amounts of burnt umber and black. Use thin washes of red to create subtle variations in the rose and blood details.

techniques

  • ·cross-hatching
  • ·dry brushing
  • ·glazing
  • ·fine linework
  • ·stippling

common pitfalls

  • →Losing the overall composition in the details.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Inconsistent linework.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencils (HB, 2B)
  • ·ivory acrylic paint
  • ·burnt umber acrylic paint
  • ·black acrylic paint
  • ·red acrylic paint
  • ·small detail brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·ruler
  • ·masking tape

Use high-quality acrylic paints for best results. Consider using a sealant after the painting is complete.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada