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home·artworks·Ecce Homo
Ecce Homo by Cristovao de Figueiredo

plate no. 9923

Ecce Homo

Cristovao de Figueiredo, 1520

oilNorthern Renaissancereligious paintingfigurereligiousportraithaloclothhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering realistic skin tones and drapery folds. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a mid-tone gray or brown.

  2. step 02

    Lightly sketch the main shapes: the figure, the cloth, and the hands, paying attention to proportions.

  3. step 03

    Block in the dark background using a dark brown or black, ensuring smooth coverage.

  4. step 04

    Establish the main light and shadow areas on the face and hands using thin washes of color.

  5. step 05

    Begin building up the layers of color on the face, mixing subtle variations of skin tones.

  6. step 06

    Paint the cloth, focusing on capturing the folds and highlights with lighter values.

  7. step 07

    Add details like the rope, blood, and the halo using fine brushes.

  8. step 08

    Refine the details and adjust values to create a cohesive and realistic image.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre

Achieve skin tones by mixing white, raw sienna, burnt umber, and small amounts of red. Use ivory black and burnt umber for the background, and mix white with a touch of yellow ochre for the highlights on the cloth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle shifts in skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas is recommended for this style of painting.

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