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home·artworks·Dymchurch, Kent
Dymchurch, Kent by Paul Nash

plate no. 3818

Dymchurch, Kent

Paul Nash

oilCubismlandscapelandscapefieldsskyhillsbuildingsroad
some experience helpful

Recreating this painting will help students develop skills in simplifying complex landscapes into geometric shapes and understanding atmospheric perspective through color and value changes. It also provides practice in using visible brushstrokes to create texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the landscape, focusing on the receding fields and the horizon line.

  2. step 02

    Block in the large areas of color, starting with the sky and the distant hills.

  3. step 03

    Define the shapes of the fields with broad strokes, using different colors for each section.

  4. step 04

    Add the details of the road and the buildings in the distance, simplifying their forms.

  5. step 05

    Introduce variations in value and color within each field to create depth and texture.

  6. step 06

    Use thicker paint and more visible brushstrokes to emphasize the foreground elements.

  7. step 07

    Add highlights and shadows to define the forms and create a sense of light.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a cohesive and harmonious composition.

color palette

primary · titanium white · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Mix various shades of gray by combining white, umber, and a touch of blue. Achieve earth tones by blending yellow ochre, burnt sienna, and umber. Use white to lighten colors and create atmospheric perspective.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·geometric abstraction

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated or intense.
  • →Not varying the brushstrokes enough to create texture.
  • →Ignoring the subtle value changes that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·assorted flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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