apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Drawing of Chopin (19 April 1847)
Drawing of Chopin (19 April 1847) by Henri Lehmann

plate no. 8101

Drawing of Chopin (19 April 1847)

Henri Lehmann, 1847

pencil, chalk, paperRomanticismportraitportraitfiguremanchairclothinghistorical
some experience helpful

Recreating this drawing will help students develop skills in portrait sketching, particularly in capturing likeness and using chiaroscuro to create form. It also provides practice in rendering textures and details in clothing.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on proportions and placement of the figure and chair.

  2. step 02

    Refine the sketch, paying attention to the angles and curves of the figure's pose.

  3. step 03

    Begin adding darker values with pencil to define the shadows and contours of the face and clothing.

  4. step 04

    Use chalk to add highlights and create a sense of volume, especially on the face, hands, and collar.

  5. step 05

    Develop the details of the clothing, such as the folds and buttons, using a combination of pencil and chalk.

  6. step 06

    Render the chair with careful attention to its form and texture.

  7. step 07

    Soften edges and blend values to create a smooth, naturalistic effect.

  8. step 08

    Add final touches and refine the details to complete the drawing.

color palette

primary · sepia · white chalk

secondary · charcoal grey

The drawing relies on layering and blending sepia pencil and white chalk to create a range of values. Charcoal grey is used for the darkest shadows.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·chiaroscuro
  • ·contour drawing

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Failing to capture the correct proportions of the figure.
  • →Creating harsh lines and neglecting to blend values.
  • →Ignoring the subtle shifts in value that create form.

materials

surface · toned drawing paper

required

  • ·sepia pencil
  • ·white chalk
  • ·charcoal pencil
  • ·kneaded eraser
  • ·drawing paper (toned)
  • ·blending stump

optional

  • ·fixative spray
  • ·tortillon

Using toned paper will help to establish the mid-tones and make the highlights stand out more effectively.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke