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home·artworks·Double portrait of the artist's daughters, Marie and Hedwig Knaus
Double portrait of the artist's daughters, Marie and Hedwig Knaus by Ludwig Knaus

plate no. 8504

Double portrait of the artist's daughters, Marie and Hedwig Knaus

Ludwig Knaus, 1864

oilAcademicismportraitfigureschildrendollparrotinteriordresses
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the proportions and placement of the figures and objects.

  2. step 02

    Establish the background with broad, blended strokes, focusing on the dark, warm tones.

  3. step 03

    Block in the main shapes of the figures and their clothing, using simplified color values.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow to create form.

  5. step 05

    Develop the details of the dresses, capturing the folds and textures of the fabric.

  6. step 06

    Paint the parrot and the doll, adding details to their features and textures.

  7. step 07

    Add the final details, such as the jewelry, the carpet pattern, and the highlights on the figures.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · viridian

Mix various shades of brown and gray by combining ivory black, raw umber, and burnt sienna. Use titanium white to lighten these colors and create highlights. Add small amounts of cadmium red and yellow ochre to warm the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·fabric rendering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the painting process.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes #2, #4, #6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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