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home·artworks·Dormition of the Virgin
Dormition of the Virgin by Hans Holbein the Elder

plate no. 4367

Dormition of the Virgin

Hans Holbein the Elder, 1490

oilInternational Gothicreligious paintingfiguresreligious sceneangelsinteriorhaloesdrapery
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, depicting figures in various poses, and understanding the use of symbolic elements in religious art.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and figures using thin washes.

  3. step 03

    Develop the drapery, paying attention to the folds and highlights.

  4. step 04

    Refine the facial features and expressions of each figure.

  5. step 05

    Add details such as the halos, books, and other symbolic objects.

  6. step 06

    Paint the angels and the cloud formation in the upper part of the composition.

  7. step 07

    Glaze the painting to unify the colors and add depth.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

color palette

primary · red ochre · viridian green · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or black. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·underpainting
  • ·rendering drapery
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →getting lost in the details too early
  • →overworking the paint
  • →inaccurate proportions of figures
  • →muddying the colors

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, viridian green, yellow ochre, titanium white, ultramarine blue, burnt umber, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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