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home·artworks·Domestic scene in Montenegro
Domestic scene in Montenegro by Jaroslav Čermák

plate no. 8527

Domestic scene in Montenegro

Jaroslav Čermák, 1865

oil, canvasAcademicismgenre paintingfiguresinteriordomestic scenemotherchildarchitecture
experienced study

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding how to create a focal point through careful use of light and shadow. It also provides practice in painting realistic skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the darkest areas of the painting first, then gradually build up the lighter areas.

  4. step 04

    Focus on accurately rendering the skin tones of the figures, paying attention to subtle color variations.

  5. step 05

    Develop the details of the clothing and other objects, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · yellow ochre · ultramarine blue

Mix burnt umber and ivory black for the dark shadows. Use raw sienna and titanium white for the lighter areas. Add small amounts of alizarin crimson and yellow ochre to warm up the skin tones. Ultramarine blue can be used to cool down shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth and dimension.
  • →Not paying enough attention to the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, alizarin crimson, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas is recommended.

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