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home·artworks·Dobrudjan Landscape
Dobrudjan Landscape by Victor Brauner

plate no. 2265

Dobrudjan Landscape

Victor Brauner, 1937

oilCubismlandscapelandscapebuildingshillsskycloudsvillage
some experience helpful

Recreating this painting will help students understand simplified forms and color blocking to create depth and dimension. Students will also learn to mix harmonious earth tones and create a sense of light and shadow using a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the hills, buildings, and clouds.

  2. step 02

    Block in the large areas of color, starting with the sky and then moving to the hills and buildings.

  3. step 03

    Define the shapes of the hills and buildings with darker and lighter values.

  4. step 04

    Add details to the buildings, such as windows and roofs.

  5. step 05

    Refine the shapes of the clouds and add highlights.

  6. step 06

    Blend the edges of the color blocks to create a softer effect.

  7. step 07

    Add final details and highlights to create depth and interest.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · raw sienna · cadmium red light · ivory black

Mix different proportions of burnt umber, yellow ochre, and white to create the various earth tones. Use ultramarine blue and white for the sky, adding a touch of burnt umber to create a muted tone. Mix red and white for the roofs.

techniques

  • ·color blocking
  • ·simplified forms
  • ·blending
  • ·value contrast
  • ·layering

common pitfalls

  • →Over-blending the colors, losing the distinct shapes.
  • →Using too many colors, creating a muddy effect.
  • →Failing to establish a strong value contrast.
  • →Not simplifying the forms enough.
  • →Ignoring the overall composition and focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·burnt umber
  • ·yellow ochre
  • ·titanium white
  • ·ultramarine blue
  • ·assorted brushes (flat and round)
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils will allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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