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home·artworks·Doña María de los Dolores Gutiérrez del Mazo y Pérez
Doña María de los Dolores Gutiérrez del Mazo y Pérez by José Campeche

plate no. 4345

Doña María de los Dolores Gutiérrez del Mazo y Pérez

José Campeche, 1796

oilRococoportraitportraitfiguredressflowerstablechair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also offers practice in creating subtle color variations and depicting details like lace and jewelry.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Block in the background with a neutral gray tone.

  3. step 03

    Establish the main shapes and values of the figure, including the dress, face, and hands.

  4. step 04

    Begin layering colors on the face, paying attention to highlights and shadows to create form.

  5. step 05

    Develop the details of the dress, including the floral pattern and the blue sash.

  6. step 06

    Paint the flowers and other objects on the table, focusing on their shapes and colors.

  7. step 07

    Add details such as the lace, jewelry, and facial features.

  8. step 08

    Refine the painting, adjusting values and colors as needed to create a cohesive and realistic image.

color palette

primary · titanium white · ivory black · yellow ochre · ultramarine blue

secondary · rose madder · raw umber · cadmium yellow

Mix various shades of gray by combining ivory black and titanium white. Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of rose madder. Use ultramarine blue and titanium white to create the blue sash and flowers.

techniques

  • ·portrait painting
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and form.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·rose madder oil paint
  • ·raw umber oil paint

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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