apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Division of the kingdom of Clotaire
Division of the kingdom of Clotaire by Jean Fouquet

plate no. 1858

Division of the kingdom of Clotaire

Jean Fouquet, 1460

oilNorthern Renaissancecityscapecastlewaterswanssoldiersflagscityscape
some experience helpful

This painting helps develop skills in creating depth using linear perspective and understanding color temperature to create a sense of distance. Students will also learn to simplify complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the castle, water, and landscape, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the vanishing point to guide the perspective.

  3. step 03

    Block in the main colors of the sky, water, and land using thin washes.

  4. step 04

    Begin layering the colors of the castle walls, towers, and roofs, building up the texture and details.

  5. step 05

    Add the details of the flags, windows, and other architectural elements.

  6. step 06

    Paint the swans and their reflections in the water.

  7. step 07

    Add the figures and tent in the foreground, paying attention to their relative scale.

  8. step 08

    Refine the details and add highlights and shadows to create depth and dimension.

color palette

primary · ochre · ultramarine blue · burnt umber

secondary · white · yellow · red

Mix ochre and burnt umber for the castle walls, adding white for highlights. Use ultramarine blue and white for the sky, and mix blue with burnt umber for the water. A touch of yellow ochre can be added to the green of the grass.

techniques

  • ·linear perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to a distorted image.
  • →Overworking the details and losing the overall composition.
  • →Using colors that are too saturated and not creating a sense of depth.
  • →Ignoring the importance of highlights and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (small and medium)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a fine-grain canvas to capture the details of the painting. Thin the oil paints with linseed oil to create transparent washes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley