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home·artworks·Diogenes Throwing away His Bowl (afrer Nicolas Poussin)
Diogenes Throwing away His Bowl (afrer Nicolas Poussin) by George Lambert

plate no. 2368

Diogenes Throwing away His Bowl (afrer Nicolas Poussin)

George Lambert, 1745

oilRococohistory paintinglandscapefigurestreeswaterarchitecturesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering complex foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major landscape elements.

  2. step 02

    Establish the sky and water with broad, blended strokes, creating a soft gradient.

  3. step 03

    Block in the dark masses of the trees and foliage, paying attention to the overall shapes.

  4. step 04

    Begin layering in lighter tones to define the forms of the trees and foliage, creating depth.

  5. step 05

    Paint the architectural elements in the background, using muted colors to suggest distance.

  6. step 06

    Add details to the figures, focusing on accurate proportions and subtle shading.

  7. step 07

    Refine the highlights and shadows throughout the painting to enhance the sense of light and atmosphere.

  8. step 08

    Add final details, such as small branches, leaves, and reflections in the water.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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