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home·artworks·Dimanche à Poissy
Dimanche à Poissy by Ernest Meissonier

plate no. 7093

Dimanche à Poissy

Ernest Meissonier, 1851

oilAcademicismgenre paintingfiguresbuildingtreesskydogchickens
experienced study

Recreating this painting will help students develop skills in rendering figures in a complex scene and understanding atmospheric perspective to create depth. It also provides practice in capturing the nuances of light and shadow on various surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements like the building, figures, and trees.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the sky and distant building.

  3. step 03

    Establish the basic values and colors of the building, paying attention to the light and shadow patterns.

  4. step 04

    Start painting the figures, working from the background to the foreground, and focusing on their general shapes and proportions.

  5. step 05

    Add details to the figures, including clothing, faces, and hands, using smaller brushes and finer strokes.

  6. step 06

    Refine the details of the trees and foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Add the chickens and dog, paying attention to their anatomy and proportions.

  8. step 08

    Make final adjustments to the values and colors to create a sense of harmony and balance.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · raw sienna · viridian

Achieve the subtle variations in skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Create the greens for the foliage by mixing ultramarine blue, yellow ochre, and a touch of burnt umber.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Overworking details too early
  • →Ignoring the overall value structure
  • →Incorrect proportions of figures
  • →Lack of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#4 filbert brush
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the brushwork.

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