apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Die Liebenden
Die Liebenden by Jean-Marc Nattier

plate no. 4836

Die Liebenden

Jean-Marc Nattier, 1744

oilRococogenre paintingfigureslandscapewinefruitclothingfoliage
experienced study

Recreating this painting will help students develop skills in figure painting, particularly in rendering skin tones and drapery, as well as creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and key elements like the wine bottle and fruit.

  2. step 02

    Establish the background with loose washes of color, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figures, paying attention to the overall values and color temperatures.

  4. step 04

    Begin refining the details of the faces, focusing on capturing the subtle nuances of light and shadow.

  5. step 05

    Develop the drapery, using a combination of soft blending and sharper edges to create a sense of volume and texture.

  6. step 06

    Add details to the still life elements, such as the fruit and wine bottle, paying attention to their reflective qualities.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · burnt umber · ivory black · viridian

Achieve skin tones by mixing titanium white, cadmium red light, and yellow ochre, adjusting the proportions to create variations in color temperature. Mix greens for the foliage by combining viridian with yellow ochre or burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of edges in creating a sense of form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West