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home·artworks·Die Kreuzfahrer Vor Jerusalem
Die Kreuzfahrer Vor Jerusalem by Wilhelm von Kaulbach

plate no. 1857

Die Kreuzfahrer Vor Jerusalem

Wilhelm von Kaulbach

oilRomanticismreligious paintingfigureshorsesskycloudslandscapereligious
advanced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating atmospheric perspective. It will also teach them how to manage a complex scene with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main areas of color, focusing on the general tones and values.

  3. step 03

    Develop the background landscape, paying attention to atmospheric perspective and softening details in the distance.

  4. step 04

    Start refining the figures, working from general shapes to more specific details.

  5. step 05

    Add highlights and shadows to create depth and dimension in the figures and drapery.

  6. step 06

    Pay close attention to the facial expressions and gestures of the figures to convey emotion.

  7. step 07

    Refine the details of the horses and other elements in the scene.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · cadmium red

Achieve the ethereal glow by mixing white with small amounts of yellow ochre and burnt sienna. Create shadows by mixing raw umber with ultramarine blue. Use glazes of burnt sienna to add warmth to the figures.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Poor figure proportions
  • →Muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to simplify the initial stages of painting.

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