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home·artworks·Diabolo
Diabolo by Roger de La Fresnaye

plate no. 3641

Diabolo

Roger de La Fresnaye, 1914

chalk, paperCubismstill lifestill lifetablegeometric shapespaperdiaboloabstract
some experience helpful

Recreating this painting will help students understand how to break down complex forms into simpler geometric shapes and how to create depth using value and color variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the still life, focusing on the geometric forms.

  2. step 02

    Block in the large areas of color, starting with the background and then the major objects.

  3. step 03

    Refine the shapes and edges of the objects, paying attention to their relationships to each other.

  4. step 04

    Add details such as the patterns on the diabolo and the highlights and shadows on the paper.

  5. step 05

    Mix and apply subtle color variations within each shape to create depth and form.

  6. step 06

    Define the outlines with darker tones to enhance the geometric structure.

  7. step 07

    Add final highlights and shadows to create a sense of volume and dimension.

  8. step 08

    Step back and adjust the overall balance of the painting.

color palette

primary · ochre · burnt umber · ivory black · titanium white

secondary · yellow ochre · Prussian blue · cadmium red light

Mix ochre and burnt umber for the warm browns. Use white to create various shades of gray. Add small amounts of blue or red to the browns for subtle variations.

techniques

  • ·Blocking in
  • ·Geometric abstraction
  • ·Limited palette
  • ·Value shading
  • ·Edge control

common pitfalls

  • →Overcomplicating the shapes
  • →Using too many colors
  • →Ignoring the value structure
  • →Losing the geometric feel

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Apron

Use a canvas with a medium texture to allow for visible brushstrokes. Acrylics are more beginner-friendly due to their fast drying time.

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how to draw →how to learn by studying the masters →
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