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home·artworks·Destruction of Tyre
Destruction of Tyre by John Martin

plate no. 6471

Destruction of Tyre

John Martin, 1840

oilRomanticismreligious paintingwavescityscapelightningfiguresruinsstorm
experienced study

Recreating this painting will help students develop skills in rendering dynamic water, atmospheric perspective, and dramatic lighting effects. It also provides practice in depicting complex architectural forms and figures within a chaotic environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the city, waves, and figures.

  2. step 02

    Establish the dark tones of the sky and the lighter tones of the water, creating a strong value contrast.

  3. step 03

    Begin layering in the colors of the sky, blending blues, purples, and reds to create a stormy atmosphere.

  4. step 04

    Develop the waves, using a variety of brushstrokes to capture their movement and texture.

  5. step 05

    Add details to the city, focusing on the architectural forms and the effects of light and shadow.

  6. step 06

    Paint the figures in the boat, paying attention to their scale and placement within the scene.

  7. step 07

    Add the lightning bolt, using a bright white or yellow to create a focal point.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and drama.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · yellow ochre · payne's gray

Mix blues and umbers for the dark sky and deep water. Use white to lighten and create highlights on the waves. Add touches of red and yellow to the sky for atmospheric effects.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Failing to establish a strong value contrast, resulting in a flat and uninteresting painting.
  • →Overworking the details, losing the sense of spontaneity and movement.
  • →Inaccurately rendering the perspective of the city and waves.
  • →Not capturing the dramatic lighting effects of the storm.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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