apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Der Wolfgangsee
Der Wolfgangsee by Ferdinand Georg Waldmüller

plate no. 5222

Der Wolfgangsee

Ferdinand Georg Waldmüller, 1835

oilRomanticismlandscapemountainslakebuildingstreesskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn to mix realistic greens and blues and create texture with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, lake, and buildings.

  2. step 02

    Block in the sky with a light blue, creating a subtle gradient.

  3. step 03

    Establish the dark values of the mountains and trees, paying attention to the overall shapes.

  4. step 04

    Layer in the mid-tones and highlights on the mountains, using cooler blues and grays for distant peaks.

  5. step 05

    Paint the lake with varying shades of blue and gray, reflecting the sky and surrounding landscape.

  6. step 06

    Add details to the trees and foliage, using a variety of greens and browns.

  7. step 07

    Paint the buildings, focusing on the light and shadow on the roofs and walls.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · Prussian Blue · Burnt Umber · Titanium White · Yellow Ochre

secondary · Cadmium Yellow · Alizarin Crimson · Sap Green

Mix various shades of green by combining Prussian Blue, Yellow Ochre, and a touch of Burnt Umber. Achieve atmospheric perspective by adding white to the blues and grays for distant mountains.

techniques

  • ·Layering
  • ·Atmospheric perspective
  • ·Dry brushing
  • ·Color mixing
  • ·Glazing

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Using too much green without considering the nuances of color in nature.
  • →Ignoring the effects of atmospheric perspective, resulting in a flat painting.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian Blue, Burnt Umber, Titanium White, Yellow Ochre, Cadmium Yellow, Alizarin Crimson, Sap Green)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium (e.g., Liquin)

Use high-quality oil paints for best results. A medium can help with blending and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke