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home·artworks·Deptford Dockyard: 'Les Trois Amis'
Deptford Dockyard: 'Les Trois Amis' by John Cleveley the Elder

plate no. 8799

Deptford Dockyard: 'Les Trois Amis'

John Cleveley the Elder, 1755

oil, canvasRococomarinashipswaterskybuildingsfiguresflags
experienced study

Recreating this painting will help students develop skills in perspective, particularly with complex shapes like ships, and in rendering reflections in water. It also offers practice in painting details like rigging and flags.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the horizon line, major ship positions, and building placements.

  2. step 02

    Establish the sky and water with broad washes of color, paying attention to the subtle gradations.

  3. step 03

    Block in the basic shapes of the ships, focusing on accurate proportions and perspective.

  4. step 04

    Add details to the ships, including masts, rigging, and flags, working from general to specific.

  5. step 05

    Paint the buildings and figures in the background, simplifying details to maintain depth.

  6. step 06

    Develop the reflections in the water, using slightly darker and less defined versions of the objects above.

  7. step 07

    Refine the details and values throughout the painting, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as small boats and figures, to enhance the overall composition.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of blue and white for the sky, adding a touch of yellow ochre for warmth. Create the ship's dark tones by mixing raw umber and ivory black, and use burnt sienna and cadmium red for the wooden parts.

techniques

  • ·Linear perspective
  • ·Atmospheric perspective
  • ·Glazing
  • ·Scumbling
  • ·Rendering reflections

common pitfalls

  • →Incorrect perspective on the ships and buildings.
  • →Overworking the details, resulting in a flat or lifeless appearance.
  • →Inaccurate color mixing, leading to muddy or unrealistic tones.
  • →Neglecting the subtle gradations in the sky and water.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ultramarine blue, raw umber, titanium white, cadmium red, yellow ochre, burnt sienna, ivory black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for detail work.

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