apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Departure
Departure by Edward Wadsworth

plate no. 6249

Departure

Edward Wadsworth, 1938

oilSurrealismsymbolic paintingluresskyseascapelighthouseropeabstract forms
some experience helpful

Recreating this painting will help students develop skills in creating smooth gradients, rendering geometric forms, and understanding surrealist composition. It also encourages careful observation of subtle color variations and highlights.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, lighthouses, and the hanging objects.

  2. step 02

    Block in the sky with a light blue, creating a subtle gradient from darker at the top to lighter near the horizon.

  3. step 03

    Paint the wooden beam and the wall behind the hanging objects using a warm, light brown, paying attention to the wood grain.

  4. step 04

    Begin painting the lighthouses and the pier, focusing on their geometric shapes and subtle shadows.

  5. step 05

    Carefully render the hanging objects, paying close attention to their shapes, colors, and the way light interacts with them.

  6. step 06

    Add the ropes, creating the illusion of depth and texture.

  7. step 07

    Paint the abstract forms in the foreground, using a limited palette of browns and grays.

  8. step 08

    Add final details, such as the birds in the sky and the subtle highlights on the objects.

color palette

primary · sky blue · tan · brown · white

secondary · red · grey · yellow ochre

Achieve the sky gradient by gradually mixing white into the blue. The browns can be mixed from burnt umber, yellow ochre, and a touch of red. The tan is white with a touch of brown and yellow.

techniques

  • ·smooth blending
  • ·geometric form rendering
  • ·color mixing
  • ·atmospheric perspective
  • ·rope rendering

common pitfalls

  • →uneven gradients in the sky
  • →inaccurate proportions of the objects
  • →lack of depth in the composition
  • →overly bright or saturated colors
  • →poorly rendered ropes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small, medium)
  • ·flat brushes (medium)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Using a toned canvas can help to create a more unified and harmonious color palette.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte