apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Demosthenes Practising His Oratory
Demosthenes Practising His Oratory by Jean Lecomte du Nouÿ

plate no. 5902

Demosthenes Practising His Oratory

Jean Lecomte du Nouÿ, 1870

canvas, oilAcademicismmythological paintingfigureseaskycloudscityscapemoon
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic drapery. It also offers practice in capturing the human figure in motion and creating a sense of drama through lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the horizon line, and the major elements of the landscape.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, sea, and land.

  3. step 03

    Begin to refine the figure, paying attention to the proportions and anatomy. Focus on the drapery and how it falls around the body.

  4. step 04

    Develop the details of the cityscape in the background, using lighter values and less detail to create a sense of distance.

  5. step 05

    Add highlights and shadows to create depth and dimension. Pay attention to the direction of the light source.

  6. step 06

    Refine the details of the waves and the texture of the sand.

  7. step 07

    Add the crescent moon and subtle cloud details.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and balanced composition.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · raw sienna · ivory black

Achieve the sky colors by mixing ultramarine blue and titanium white, adjusting the ratio for different values. Use burnt umber and yellow ochre for the earth tones, adding white to lighten and blue to cool.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Overworking the details in the background, which can flatten the composition.
  • →Failing to create a strong sense of light and shadow, which can make the painting look flat.
  • →Getting the proportions of the figure wrong, which can detract from the overall realism.
  • →Using colors that are too saturated, which can make the painting look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus