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home·artworks·Deer at Lake McDonald
Deer at Lake McDonald by Charles M. Russell

plate no. 4488

Deer at Lake McDonald

Charles M. Russell, 1908

oilRomanticismanimal paintingmountainslakedeertreesrockssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing reflections in water. It also provides practice in rendering realistic animal forms and rocky textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountains, lake, shoreline, and deer.

  2. step 02

    Establish the sky with soft, blended colors, capturing the sunset hues.

  3. step 03

    Block in the distant mountains and the large hill on the right, focusing on value differences.

  4. step 04

    Paint the lake, paying attention to the reflections of the sky and mountains.

  5. step 05

    Add details to the shoreline, including rocks, logs, and vegetation.

  6. step 06

    Carefully render the deer, paying attention to their anatomy and fur texture.

  7. step 07

    Refine the details in the foreground, adding highlights and shadows to the rocks and vegetation.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · sap green · raw sienna

Achieve the sunset colors by mixing cadmium red, yellow ochre, and titanium white. Use burnt umber and ultramarine blue for the darker tones in the mountains and lake. Mix sap green with yellow ochre and burnt umber for natural greens.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing
  • ·glazing
  • ·rendering fur

common pitfalls

  • →Overworking the details in the background, losing the atmospheric perspective.
  • →Making the reflections in the water too sharp or defined.
  • →Incorrectly proportioning the deer.
  • →Using colors that are too saturated, resulting in an unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (#2, #4)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (if using oil paints)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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