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home·artworks·Death of Don Miguel de Mahara
Death of Don Miguel de Mahara by Carlos Saenz de Tejada

plate no. 7080

Death of Don Miguel de Mahara

Carlos Saenz de Tejada

oilArt Nouveau (Modern)illustrationchurch interiorfigureslightarchitecturecandlesdeath
some experience helpful

Recreating this painting will help students understand how to depict dramatic lighting and create a sense of depth using value and color temperature. It also provides practice in rendering figures in a stylized manner.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to perspective.

  2. step 02

    Establish the darkest and lightest areas to define the value structure.

  3. step 03

    Block in the large areas of color, focusing on the overall color harmony.

  4. step 04

    Develop the details of the architecture, figures, and candles.

  5. step 05

    Refine the lighting effects, blending and layering colors to create the dramatic light beam.

  6. step 06

    Add details to the figures, focusing on their gestures and clothing.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and drama.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · cadmium yellow light · ultramarine blue · burnt sienna

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and cadmium yellow light for the candle light. Add ultramarine blue to create cooler shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·linear perspective
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow on the forms.
  • →Creating muddy colors by over-mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (small, medium, large)
  • ·flat brushes (medium)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or odorless thinner (for cleaning brushes)

optional

  • ·medium gloss
  • ·retarder medium

Use a toned canvas to help establish the overall color harmony. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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