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home·artworks·Death and the Miser
Death and the Miser by Jan Provoost

plate no. 6624

Death and the Miser

Jan Provoost

oil, woodNorthern Renaissanceallegorical paintingfigureskeletonbookswindowcoinsallegory
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic textures, and understanding chiaroscuro to create depth and drama. It also requires careful observation of details and proportions.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to proportions and perspective.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Begin refining the details of the figures, starting with the faces and hands.

  4. step 04

    Add layers of glazes to build up depth and richness in the colors.

  5. step 05

    Carefully render the textures of the clothing, books, and other objects.

  6. step 06

    Pay attention to the light and shadow, using chiaroscuro to create a sense of drama.

  7. step 07

    Add the final details, such as the coins, the writing on the paper, and the reflections in the metal objects.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · red · white · black · brown

secondary · gold · gray · ochre

Achieve the rich reds by glazing layers of crimson and vermillion. Mix browns with burnt umber, raw sienna, and a touch of black. Create the pale skin tones by mixing white with small amounts of yellow ochre, burnt sienna, and alizarin crimson.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Failing to create a convincing sense of depth.
  • →Overworking the details and losing the overall unity of the painting.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, white, black, brown, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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