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home·artworks·Dead Leaves
Dead Leaves by Remedios Varo

plate no. 1439

Dead Leaves

Remedios Varo, 1956

oil, cardboardSurrealismsymbolic paintingfigureroom interiorcarpetdressthreadsurreal
some experience helpful

Recreating this painting will help students develop skills in rendering figures, creating atmospheric perspective, and understanding surrealist composition. It also provides practice in creating subtle color variations and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figures, room, and key elements.

  2. step 02

    Establish the overall tonal values with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the figures and the room, focusing on accurate proportions.

  4. step 04

    Develop the textures of the carpet and the walls using dry brush techniques.

  5. step 05

    Refine the details of the figures, including the hair, dress, and internal structure of the male figure.

  6. step 06

    Add the thread connecting the figures, paying attention to its curvature and weight.

  7. step 07

    Introduce subtle color variations and highlights to create depth and dimension.

  8. step 08

    Add the final details, such as the leaves and the bird, to complete the surreal atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · olive green

secondary · cadmium red · payne's gray

Achieve the muted tones by mixing burnt umber and raw sienna with white. Use small amounts of red and green to create subtle color shifts in the figures and the room.

techniques

  • ·glazing
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Inaccurate proportions of the figures
  • →Overly saturated colors
  • →Lack of depth in the room
  • →Ignoring the subtle tonal variations
  • →Uneven texture on the carpet and walls

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·olive green oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red oil paint
  • ·payne's gray oil paint

Use a canvas with a fine weave to allow for detailed brushwork. Consider using a toned canvas to establish the overall tonal values more easily.

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