apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·David plays the harp in front of Saul
David plays the harp in front of Saul by Lucas van Leyden

plate no. 7342

David plays the harp in front of Saul

Lucas van Leyden

oilNorthern Renaissancereligious paintingfiguresharpthroneinteriorreligious sceneclothing
experienced study

Recreating this painting will help students develop skills in rendering complex figures, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing subtle color variations to depict different textures and materials.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background and establish the atmospheric perspective.

  4. step 04

    Refine the figures, paying attention to the details of the faces, clothing, and hands.

  5. step 05

    Add highlights and shadows to create form and dimension.

  6. step 06

    Work on the details of the harp and throne, adding texture and detail.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix various shades of red and brown by combining red ochre, raw umber, and titanium white. Use ultramarine blue to create cooler shadows and grays. Mix small amounts of cadmium red light to create brighter reds.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·rendering drapery

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing freshness.
  • →Inaccurate proportions of figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·red ochre oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a high-quality canvas primed with gesso. Consider using a toned ground to help establish the value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley